14 December 1950: Television tastes

The habits of television owners are reported

By 1950, BBC Television service had begun to spread outside of London, and on 27 August of that year the first cross channel broadcast between Britain and France took place.
C.P. Scott said of television that "the word is half Latin and half Greek. No good can come of it."

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Radio review: Kermode and Mayo’s Film Review

The 5 Live pairing decamp to the Phoenix Cinema to mark their 10th anniversary – an occasion worth celebrating

The Phoenix Cinema in East Finchley, north London is exactly the right venue for Mark Kermode and Simon Mayo to celebrate 10 years of Friday afternoons on BBC Radio 5 Live together. Last year the pair put together a code of conduct, not unlike those warning against running and heavy petting at public pools, that served as a warning to irresponsible Phoenix-goers, in which the slurping of five-litre flagons of cola and rustling of XL tubs of popcorn featured prominently.

The Phoenix, the cinema where Kermode spent much of his youth, is not the kind of place that tolerates that kind of thing; beneath its advertisement for mature cheddar crisps in the foyer there is a warning (in chalked capital letters, no less) "Too loud to take into the film – sorry".

So, a perfect place to celebrate 10 years of film reviews. And in radio terms a 10-year double act is something worth celebrating – especially when it has grown from a short review segment into a two-hour show and survived Mayo's departure to Radio 2 (he returns each week in order to keep their show together going).

"Shouldn't we just leave the kids at home and go out for a meal?" asked Kermode at the start of the show. Like a married couple they have plenty of familiar arguments and niggles, several of which – the virtues of 3D cinema, the merits of Dougal and the Blue Cat – surfaced at the Phoenix. Also present were several running themes such as impressions of Jason Statham and Danny Dyer and the inevitable mention of The Exorcist, which are popular with their podcast listeners.

There was much audience interaction. A request for reviews of the current top 10 films led to a chap from the back of the cinema texting to say he'd really like to talk about Fast & Furious 5 but he was on a first date and was uncertain what his companion would think if he admitted liking a movie starring The Rock. Mayo outed him and invited him to discuss it further. Perhaps inspired by Kermode's Statham, he attempted his own impression of The Rock. His date seemed just a little unimpressed.

Mayo's forte, as well as keeping Kermode's ego in check, is interviewing, and his chat with guest Noel Clarke unearthed plenty of nuggets, not least that the prolific Kidulthood actor/director/writer – who may become better known to us for sci-fi movies, prison dramas and a romantic comedy in the coming months – intends to "dip back into the hoodie pot" shortly. A confession from Clarke that he doesn't drink, smoke, do drugs or fall out of nightclubs elicited a round of applause from the audience.

"This show is essentially Jeremy Kyle," said Mayo.

Normal service was resumed with a final half-hour of reviews and a much-anticipated "Kermodian rant" about The Hangover 2. While not quite up there with Kermode's brilliantly visceral reviews of Sex And The City 2 and Eat Pray Love, it was vintage angry and honest stuff.

"This is a film where they think the height of comedy is a monkey biting someone's willy," sighed the bequiffed Kermode. Despite concluding that the film was also "vulgar, crass, stupid, racist, homophobic, putrid nonsense" (wonder if that'll make the posters), not everyone agreed.

"Well, I thought it was funny," said one lone young man in the audience.

That's the problem with opinions – everyone's got one. It's just that Kermode's are often louder and funnier. Here's to another 10 years.

RadioRadio 5 LiveBBCJohnny Deeguardian.co.uk

Comic and actor Janet Brown dies

Brown, familiar to millions of TV viewers for her impressions of Margaret Thatcher on the Mike Yarwood Show, has died aged 87

Janet Brown, the comic and actor who became familiar to millions of TV viewers for her impressions of Margaret Thatcher, has died aged 87.

Brown, who shot to fame impersonating the then prime minister on the Mike Yarwood Show, also played Lady Thatcher in the James Bond film, For Your Eyes Only, opposite Roger Moore.

In a career going back to the 1930s, Brown worked with stars including Hughie Green, Tony Hancock and George Cole.

But it was for the Mike Yarwood Show, on BBC and then ITV in the late 1970s and 1980s, that she will be remembered.

More recently she appeared in television shows including ITV1's Midsomer Murders and BBC1's Casualty and Hotel Babylon. She was also a regular voice on BBC Radio 2's News Huddlines, with Roy Hudd.

The Scottish-born star was married to Carry On actor Peter Butterworth until his death in 1979 and leaves a son and grandson.

Her agent Susan Angel said she had died in her sleep at a nursing home in Hove, East Sussex, after a short illness.

"She was a delightful client and we will all miss her very much – her knowledge of sport was second to none," she added. "We will miss the endless discussions about football and her fellow Scot, the tennis star Andy Murray."

Brown published her autobiography in 1987, called Prime Mimicker.

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Television industryTelevisionJohn Plunkettguardian.co.uk

Champions League final: Do you watch it on ITV or Sky Sports? | Barney Ronay

It's not just Manchester United v Barcelona - it's also the smooth and capable Adrian Chiles against the Brylcreemed 1950s bus conductor Jeff Stelling

Build-up

ITV

A pared-back 45 minutes. Likely to feature Adrian Chiles doing "funnies" over stadium footage of old/fat/yawning/vulnerable people. Also strolling-ex-pro-with-a-radio-mic interludes where men in suits shout phrases like "this atmosphere – it's absolutely first rate" while people in the crowd do V-signs behind them.

Sky

The full hour and a half. Will feature at least three high-end indie band-soundtracked action montages and a bit where a smartly-dressed reporter wanders around the Camp Nou looking sombre while Catalan guitar music jangles in the background.

In the studio

ITV

Anchored by the smooth and capable Chiles, successfully toning down his just-another-punter shtick in favour of asking pertinent questions and – a staple for any ITV frontman: witness late-career Bob Wilson – being good at not getting freaked out by the ad break. ITV might yet pull something left-field out of the punditry bag: the big ego manager; or the exquisitely groomed overseas star who appears to have (a) very little conversational English; (b) even less idea who Gareth Southgate is.

Sky

A late-running Jeff Stelling/Ed Chamberlin face-off has seen Stelling's expertise plus Brylcreemed-1950s-bus-conductor good looks triumph over Chamberlin's precocious junior stockbroker. Stelling will be joined by the thigh-chafing interjections of the strangely riveting Jamie Redknapp, Ray Wilkins telling people to stay on their feet in the mannered, soothing voice of an old-fashioned tea-dance band leader, and the coming man Gary Neville.

Commentary team

ITV

The excellent Clive Tyldesley, a man who can often be heard tenderly mourning the vanished ecstasy of "that wonderful night in Barcelona" like a spinster aunt who once knew the love of a Catalan servant boy. Tyldesley will be joined by Andy Townsend. To replicate the experience of an Andy Townsend co-commentary stint, repeat the phrase "I'd just like to see United go at 'em Clive" and inhale deeply on a tube of Lynx Executive Hold hair gel.

Sky

Martin Tyler, master craftsman and even in the tensest moments an audio experience as soothing as syringing your ears with essence of late-night Radio 2 preserved in clover honey. Tyler is perhaps Sky's biggest draw for the game, although the chemistry with the similarly cerebral Alan Smith has yet to reach peak Gray levels, where the alternation between scholarly musings and sudden manly barks recreated the precise structural formula of a classic loud-quiet-loud grunge-era guitar track.

Bias factor

ITV

Likely to maintain the traditional mild British bias of UK terrestrial TV. Tyldesley's swooning United-isms are now simply part of the show.

Sky

Surprisingly impartial, with Redknapp and Graeme Souness particularly prone to extended froths over displays of entirely alien European footballing traits – refined technique, self-expression on the ball, being able to pass properly etc.

Ace card

ITV

That reassuring air of Saturday night prime time, keeping you always just a hop away from a fame-hungry breakdancing halfwit or police drama series. It's nights like these, Clive, that your Adrian Chileses are all about.

Sky

Souness, English football's best pundit. Passionate, incisive and always wincing with coiled rage. At his best when riled or under the mistaken belief his basic punditry manhood is being impugned. Go on, Jamie: have a pop at Souness.

The whole experience feels like

ITV

Having the most basic points of elite club football patiently explained to you by nice men in shiny shirts, one of whom keeps doing his squidgy lovable face and winking at your wife.

Sky

A gleaming intergalactic football symposium beamed back to earth from some future civilisation built entirely around "great European nights" and the concept of "top, top, top players, Jeff".

Time and place

ITV 7pm ITV1

Sky 6pm Sky Sports 1, Sky Sports HD1

Champions LeagueManchester UnitedBarcelonaAdrian ChilesITVBSkyBTelevisionTelevision industryBarney Ronayguardian.co.uk

Cook along with Steve Albini

The producer has launched a food blog, sharing dishes he prepares for his wife. But he's not the only indie gastro geek ...

Blog: Comment Is Free cook up some other rock star recipes

Steve Albini, founder of Big Black and Shellac, producer of PJ Harvey and Nirvana, has a food blog. It's a good one, based around whatever he's recently cooked for his wife. As with his work as a musician and producer, it's a serious affair – but not without humour. For example, it's called mariobatalivoice, after the impression he does of the noted Italian-American chef when plonking his latest dish on the dinner table.

Recently interviewed about the blog by LA Weekly, Albini said he regarded American food shows as populated by "frathouse cocksuckers with gimmick hairdos", which is much the same way he felt about mainstream US rock in the 90s. It is all the more fitting that a producer so committed to fuss-free recording also appreciates our own Fergus Henderson's equally forthright, no-frills approach to cooking.

Albini's blog is the latest crossover between the worlds of food and indie rock, discussed by the Guardian's indie professor a few months ago. And there is even more where that came from. Foals kebyoard player Edwin Congreave has opted for the Alex Kapranos route, detailing the band's on-the-road eating habits via Tour Bar Blues. Congreave becomes particularly enthusiastic when the itinerary reaches the Mecca of indie foodies: Portland, Oregon. It's a place where you will find former Shins drummer Jesse Sandoval hawking Mexican meals from one of the many food trucks for which the city is famous.

We now live in a world where the drummer from Grizzly Bear makes his own pasta and indie musicians are as likely to be interviewed by excellent food website Eater as Spin magazine. And if you want to go to extremes, there's always "dishes inspired by indie-rock albums" of Eating the Beats. As for anyone thinking this is getting silly – you'll be pleased to know that the satirical Portlandia is a step or three ahead of you.

As the indie professor pointed out, both worlds share an interest in "authenticity". Though I'd argue that, as with music, indie foodies sometimes prize dogma over more important ideas, such as deliciousness. An overpriced, poorly executed "artisan" meal purchased in Portland, Williamsburg, or even London's Dalston, being the equivalent of an album you download because it was rated 8.3 on Pitchfork but never play because, on reflection, it's rubbish.

It's also worth paying attention to David Chang, Pavement geek and Michelin-starred chef behind New York's Momofuku, who points out that one of these professions is more like a proper job than the other. Traits required for success in the food world – Herculean work ethic, punctuality, discipline – are not necessarily those celebrated in musicians. So it would be a bad idea to put the newly incarcerated Pete Doherty to work in the prison kitchen ...

IndiePop and rockFood & drinkFood TVGareth Grundyguardian.co.uk

Media Talk podcast: Ryan Giggs, Twitter and Cheryl Cole

Matt Wells is back and he's joined by Janine Gibson and Olly Mann from the Sony Gold-winning Answer Me This! podcast for a rip-roaring edition of Media Talk.

We start by discussing the outing of Ryan Giggs as the footballer at the heart of the superinjunction controversy, and analysing what it all means for privacy, gagging orders and regulation of the internet.

Also in the podcast, we celebrate Twitter's acquisition of TweetDeck, and get ever so slightly excited about BT trialling its next-generation wireless broadband.

Finally, you can take Cheryl out of Newcastle, but you can't take Newcastle out of Cheryl. As Ms Cole finds herself ditched and dumped from the US X Factor, we wonder whether she'll be making a (dramatic) return to the British version of the show.

Have a listen, and let us know what you think in the comments below.

Matt WellsBen GreenJanine Gibson

Kenneth Branagh to star in eight-hour Radio 4 adaptation of Russian epic

Radio 4 to devote all of its drama strands across a seven-day period to Vasily Grossman's wartime masterpiece Life and Fate

Kenneth Branagh will star in an eight-hour BBC Radio 4 adaptation of Vasily Grossman's epic wartime masterpiece, Life and Fate.

In the sort of "stripped" scheduling tactics favoured by reality TV shows, Radio 4 will devote every one of its drama strands across a seven-day period to the work, completed in 1960, which has been hailed as the most important Russian novel of the 20th century.

Branagh, the star of BBC1's acclaimed crime series Wallander and director of recent big-screen comic-book adaptation Thor, will star in the drama alongside Samuel West, Sara Kestelman, John Sessions and Kenneth Cranham.

Radio 4 will also devote a documentary to the author as well as a special edition of Start the Week broadcast from St Peter's College, Oxford, part of a series of public events about the novel and its adaptation.

It is probably no coincidence that the head of St Peter's College is the former head of Radio 4, Mark Damazer.

The current Radio 4 controller, Gwyneth Williams, said she was "thrilled that Radio 4's dramatisation of Life and Fate will bring this remarkable but little-known work to a wider audience.

"The novel's underlying message – the ability of the human spirit to endure in the face of authoritarian rule and war – is as relevant today as it was 70 years ago."

Fans of the Archers need not worry – the soap will be the only regular Radio 4 drama slot not given over to the drama, which will be broadcast between 18 and 24 September.

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Radio 4BBCRadio industryKenneth BranaghRadioJohn Plunkettguardian.co.uk

LBC executive Jonathan Richards to leave Global Radio

Jonathan Richards, programme director at talk station LBC 97.3 and news head at Global Radio is to leave at the end of May

Jonathan Richards, programme director at London talk station LBC 97.3, has parted company with the station's owner, Global Radio.

Richards was also Global Radio's group head of news, with responsibility for bulletins across the Global group including the Capital and Heart network of stations.

His departure was announced by Global Radio's director of broadcasting, Richard Park, in an email to staff.

"I have some news to share with you all today," said Park. "After 16 years, Jonathan Richards, LBC's programme director and group head of news, will be leaving Global at the end of May.

"Jonathan has been instrumental in taking LBC's listening figures from strength to strength and has also been a key figure in the development of the group's news function. Please join me in wishing Jonathan every success for the future."

It is understood Richards has been absent from LBC's London HQ since last month. He was promoted to his current role in a shakeup at the group in 2008.

Richards said he was leaving the station by "amicable agreement".

A Global Radio spokesperson said: "We can confirm that Jonathan Richards will be leaving Global Radio at the end of May. We wish him every success for the future."

Global RadioRadio industryTalk radioRadioJohn Plunkettguardian.co.uk

Lights, camera … direction: Jon Hamm goes behind the camera

Jon Hamm is to direct the season five premiere of Mad Men. Will he bring Don Draper's authority to his new role?

Alfred Hitchcock once said that actors should be treated like cattle and there are plenty in his profession who quietly agree. But what happens when an actor goes Temple Grandin and moves behind the camera?

Jon Hamm is reportedly about to find out when he directs the opening episode of Mad Men season five. It could be just a case of Don Draper trying to top Roger Sterling after actor John Slattery directed two episodes in season four but it's going to be intriguing to see what Jon Hamm's direction brings to the show.

He's not the first TV actor to make the transition. Clark Johnson (Meldrick Lewis on Homicide: Life on the Streets) went on to successfully direct episodes of The Shield, The West Wing and The Wire (where he also played newspaperman Gus Haynes). Penny Marshall went from a starring role in Laverne and Shirley to an Oscar nomination for A League of Their Own and although everybody knows about Richie Cunningham's success another less celebrated Happy Days alumnus Anson Williams (Potsie) has a string of direction credits including Beverly Hills, 90210, Xena: Warrior Princess and Charmed. More recently, the West Wing's Richard Schiff made a late directorial debut with season five's Talking Points and has since gone on to direct an episode of HBO's acclaimed In Treatment.

Maybe we shouldn't be surprised when it goes well. Actors who direct naturally have an advantage in that they have share a language and understanding with the performers. They may lack the technical knowledge of a seasoned director but they're all veterans of countless acting workshops and have that instinctive grasp of pulling a performance out of their asses in the heat of battle that has got to be valuable to any director.

So much for the success stories. It doesn't always work out so well. When Eddie Murphy directed Harlem Nights it was savaged by critics, William Shatner's directorial work on Star Trek V and the late but not much lamented TJ Hooker is best forgotten and David Schwimmer hasn't exactly set the world alight with his direction of Joey and Run Fatboy Run.

When any actor takes the reins of a production it inevitably raises the question of conflict of interest. Can a dyed in the wool thesp ever really divorce himself from a performer's perspective for long enough to be truly objective, take the tough decisions and say the very things actors least want to hear?

It's all food for thought for Jon Hamm. While Mad Men is a highly stylised production, the direction is always subtle. It's in the show's DNA to be understated: always hint, never signpost and let subtext and mood work their magic. Having been immersed in the show from the beginning, Hamm will instinctively know this. Alan Alda's greatest success as a director came in M*A*S*H simply because his input as actor-writer was so integral to the show that he already knew the character dynamics inside out.

For these reasons, I like his chances of doing a good job here, particularly if he brings the same assured authority of his Don Draper performance to his new role. But what do you think: is putting the star behind the camera a smart move or a recipe for disaster? Is Hamm directing the premiere an eye-catching gimmick to kick off the season or the start of something special? Your thoughts, please.

TelevisionJon HammMad MenDramaHistorical dramaUS televisionJames Donaghyguardian.co.uk

On the water with Jack Dee

Rick Spleen is a 'what-if version of me', says Jack Dee. Well what if we made it our mission to cheer him up?

Jack Dee having fun gallery

There's a dark cloud approaching … oh, and the weather doesn't look too great either. The cloud in question is Jack Dee, comedy's most lovable grump, who has agreed to let the Guardian and its very own crack team of happiness experts spend the day trying to cheer him up. Of course, when we say "crack team of happiness experts" what we actually mean is a journalist with a ticket for the duck bus.

The plan is as follows. We'll board the London Duck Tour's amphibious vehicle at Waterloo station and travel by land and sea (well, the Thames) through the capital while bringing joy and happiness into Jack's gloomy world. Along the way we might even chat about Lead Balloon (Dee's sitcom is back for a fourth and final series) and Jack's status as a bit of a Brit comedy icon.

"Now, you might have noticed that this bus has a name – Rosalind," announces, Craig, our tour guide for the day, as the Duck Tour driver revs the engine. "All of our buses are named after heroines from Shakespeare's plays. This one was originally going to be called Ophelia but if you've read Hamlet you'll know she drowned at the end, so it's probably a good idea we didn't go with that."

Dee grimaces. It's hard to know whether the scowl is put on for the benefit of the Guardian's photographer or if he really is finding Craig's procession of rapid-fire punchlines so awful. Either way, I decide not to attempt my own pack of pre-prepared gags and settle into a more traditional interviewer's role. So, Jack: when were you last this excited about something?

"Well, I don't ever get excited," he says. "I haven't been excited since I got a Chopper bicycle when I was about 12. Once you get older you realise there's always a catch to everything. So when I get, say, a commission to make a TV show, the catch is that you have to deliver something and then the sense of responsibility overwhelms the joy of the occasion." Hmm … this assignment might be tougher than we first thought.

It swiftly becomes apparent, however, that Jack's at his most animated when discussing his work. In fact, Lead Balloon is a sitcom based around work, or rather, the work that Jack would be doing (advertising shoe polish, hosting the budget channel) had his career not turned out quite so rosily. "My character, Rick Spleen, is a what-if version of me, really," he explains. "Where nothing did quite turn out right and everything else is still around the corner."

'I used to love whizzing around on my motorbike from the Comedy Store to Jongleurs and then back to the Comedy Store, with maybe a show in between'

Were this Duck Tour to pass the landmarks of Jack Dee's career, rather than some posh buildings and a big clock, its route wouldn't be markedly different. Just up the road in Soho, for instance, is the Comedy Store where Jack first cut his teeth, appearing for the first time in 1986 at an open-mic night without bothering to go to the lengths of actually writing any jokes.

"It should have been a disaster," he admits. "But it went well. And that whole period of my life actually had a really good feel to it. I loved the weekends, where I would be playing 10 or even 12 gigs. Whizzing around on my motorbike from the Comedy Store to Jongleurs and then back to the Comedy Store, with maybe a show in between."

He pops his head out of the bus and points: "Of course, I used to work up there as well, at the Ritz." He did, too, after fibbing his way into the kitchens. "I was washing lettuce mostly," he recalls. "Then, after a few weeks, just as I was getting the hang of everything, they realised I didn't actually know what I was doing so they put me on nights, just making sure stock pots didn't boil over, until these black Jehovah's Witnesses would come in and cook all the breakfasts. That was strange; they'd bring copies of Watchtower with them and try and convert me."

It was a few streets further east, however, while managing a pizza parlour in Covent Garden, that Jack fell out of love with the restaurant trade. "I'd be drinking enormous amounts of wine to get myself through it. Pints of red wine – a really harsh, cheap Lambrusco or something, topped up with a dash of soda to make it drinkable. The barman would keep filling me up so I never knew how much I was drinking. My teeth were stained red by the time I left that job. That's not a good combo, is it? Looking after the general public when you're half cut ..."

Did he get into trouble? "I was always lying to the customers – telling them we had arrangements with other restaurants in the area that meant they had to go elsewhere if they wanted to drink a second cup of coffee. The waiters and waitresses all loved me because I was helping clear the place out."

Surely people must have complained? "The letters started coming in but because I was a trainee manager I would get in early and intercept them. Anything that looked vaguely handwritten would go straight in the bin."

'I'm part of a tradition of people who aren't pleased. Anyone else who has the same attitude, I just think they're … sensible'

Communication these days is similarly one-way. Jack's taken to Twitter, although admits to using it only for "self-serving" purposes. In between plugs for his recent work and lengthy rants about a malfunctioning American-made fridge – an ongoing drama – he posts the occasional cracking one-liner. Does he worry that the internet means his jokes will all get pinched the minute they're posted?

"Yeah," he says. "I used to put good jokes on but now I only put on jokes that I think have no other use. If it could have some life elsewhere I won't put it on; I don't think anyone does, really."

And how's the fridge? "Not fixed yet. The guy's coming again on Friday. That will be over a month to get it fixed. Absolute disgrace."

Our happiness mission is foundering here and maybe that's for the best. After all we're currently in a golden era for the professional grump. Does he look at other comically disgruntled middle-aged men – David Mitchell and Charlie Brooker, for instance – and feel they're stealing his shtick?

"I'm just part of a tradition of people who aren't pleased," he says. "I would never think anyone else who has the same attitude was getting it from me. I'd just think they're … sensible."

In the past, Jack has used antidepressants to combat his "default setting" of depression but found they made him creatively numb. He is, however, more enthusiastic about hypnotherapy, which he regularly undergoes.

"It brings down the barrier between the conscious and the subconscious and you get to throw little messages over the wall into the deeper psyche … I. Thiiink. Itttt'sss. Reee. Leeey. Grreeaaaatttt."

Just as he says this, the bus finally jolts into the water. Pootling along beside the houses of parliament, Jack doesn't have much to say on the current government – political comedy was never a strong suit of his – but he manages to take a typically downbeat view of our current economic plight.

"I'm beginning to think that maybe I was wrong to be so fed up with everything before," he admits, "because looking back it wasn't too bad, really. So yeah, I may have been wrong on that. But now? Well, now I'm really fucked off with things."

At this point Craig pipes up cheerily: "It's very important you don't fall into the Thames as you can easily get pulled under. Did you hear about the guy who drowned in a bowl of muesli? He was swept under by a strong currant!"

Jack's face is still set to grimace. How does he rate Craig's patter? "I think he's doing a really good job, actually. It's a thankless task trying to sound like you're not just repeating the same thing over and over but it seems like it's really natural."

When we reach the end of the tour, Jack's happily chatting away with Craig. We might just have succeeded in our task to cheer up Britain's grumpiest comic. Have you had a nice day, Jack?

He looks around, seemingly trying to work out what qualifies as enjoyment these days.

"Well," he says, " … it went on a bit."

TelevisionTim Jonzeguardian.co.uk
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